Picture the scene. It’s a rainy day in July and a group of strangers have met in a hotel to plot murder…Don’t worry, this was murder of the strictly fictional variety! The day in question was Creative Thursday at the Harrogate Crime Writing Festival 2017. The Festival takes place at the Old Swan Hotel which is famous for being where Agatha Christie hid away during her 10 day disappearance in 1926. What better location to host a crime writing festival?
Creative Thursday is a day devoted to the craft of crime writing, covering everything from creating a believable detective to plotting a plausible murder. And plot we did!
We went straight in at the deep end with the morning session, “Plotting the Perfect Murder: How to Create an Engaging Crime Story” led by Lesley Thomson and Elly Griffiths. We were divided into groups of six and had just five minutes to come up with a character to be our detective. We presented our characters to the other groups and everyone voted who should be the ultimate detective in our crime story, then who should be the murderer, the victim and finally, the suspects. It was amazing how in the space of just a couple of hours a group of complete strangers were transformed into a creative collective with the bones of a murder mystery story between them.
In our next session, we were introduced to the Book Doctor, aka Philippa Pride, writing guru and Stephen King’s British editor. Philippa helped us to unlock our creativity. She’s a big fan of using prompts such as music and pictures to help writers get into their flow. She also encouraged us to think of the five senses when we’re writing. To that end, on each of our chairs were two tiny glass bottles filled with scent. 
Halfway through the session, she asked us to open the bottles and smell them. Of course, in a classic murder mystery story, one of these bottles would have contained poisonous vapour! Thankfully, in real life, they contained a variety of scents such as citrus, lavender etc which we used as writing prompts to help us evoke a scene in a different way.
After lunch it was time to look at “How to Create Pace and Suspense” with Louise Welsh and Henry Sutton. They talked about how crime writing encourages us to look beneath the surface of people and places, and see what really lies beneath. In terms of creating pace and suspense, they advised starting the story as near to the end as you can, ie getting rid of any extraneous limbering up. Everything should be there for a reason and every scene should enhance characterisation, or move the plot forward, preferably both. They said it’s important for our characters to really want something, but of course as writers, we need to throw obstacles in their way. As the formula goes:
Story + Conflict = Plot
The final event of the day was the terrifying-sounding “Dragons’ Pen” where writers were picked out of a hat and given the opportunity to pitch their stories to a panel of agents and editors. The Dragons were actually very supportive, as was the audience, and I’m full of admiration for those who were chosen to pitch. It was really exciting to hear their stories and I’m looking forward to reading them, as I have no doubt some of them will be appearing in the bookshops before too long.
Aside from Creative Thursday, the Harrogate Crime Writing Festival also offers dozens of other events for fans of crime fiction, including author panels and signings, quizzes, award ceremonies and interactive forensics puzzles. I went along to the Grantchester TV panel which featured author James Runcie and actor Robson Green. It was absolutely jam-packed, but they had the whole audience in stitches. It was fascinating to hear about what goes into adapting a book into a TV series.
My only regret is that I didn’t buy a weekend rover ticket so I could attend all the events of the Festival. Maybe next year! Basically, the moral of the story is the Festival is amazing, and as the banners around the hotel said, “The only crime would be to miss it!”
I was invited to be a member of the panel at the 
The 
but the more it thrived, the more demands the town sent in its direction. It seemed that every day the mayor’s car would draw up on the quay with new instructions about how business in the little harbour should be conducted. But the ships could not keep up with the demands. They had to rely more and more upon their tug boat friend. Eventually Good Will didn’t even have time to undergo maintenance. His ropes grew frayed and his boards started cracking. The other boats were worried about what was happening to Good Will, but they needed him too much to be able to give him the break he so desperately needed. Although they tried to speak to the harbour master’s boat about the situation, he just revved his engine louder and spluttered off into the distance. 
It’s made me realise that actually there’s not all that much time before the big day to get in all the shopping, card writing and sorting of stuff that I need to do, gulp. I’m starting to have to make lists of my ‘to-do’ lists!
My own tree and decorations are somewhat on the modest side at the moment, but they’re work in progress, and at least I don’t have a huge sprawling mansion to decorate, unlike the main character in 
Emily Kerr writes 
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